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Copywriting Services London

And turn over your paper. Real exam answers from the UK’s yoof

14th
Jun
by Sarah Turner

With exam season nearly upon us let’s take a look at how well last year’s 16 year olds did. (These are all genuine answers. Wrong, but genuine.)

Q: Name the four seasons
A: Salt, pepper, mustard and vinegar

Q: Explain one of the processes by which water can be made safe to drink
A: Flirtation makes water safe to drink because it removes large pollutants like grit, sand, dead sheep and canoeists

Q: How is dew formed?
A: The sun shines down on the leaves and makes them perspire

Q: What causes the tides in the oceans?
A: The tides are a fight between the earth and the moon. All water tends to flow towards the moon, because there is no water on the moon, and nature abhors a vacuum. I forget where the sun joins the fight

Q: What guarantees may a mortgage company insist on?
A: If you are buying a house they will insist that you are well endowed

Q: In a democratic society, how important are elections?
A: Very important. Sex can only happen when a male gets an election

Q: What are steroids?
A: Things for keeping carpets still on the stairs

Q: What happens to your body as you age?
A: When you get old, so do your bowels and you get intercontinental

Q: What happens to a boy when he reaches puberty?
A: He says goodbye to his boyhood and looks forward to his adultery

Q: Name a major disease associated with cigarettes?
A: Premature death

Q: What is artificial insemination?
A: When the farmer does it to the bull instead of the cow

Q: How can you delay milk turning sour?
A: Keep it in the cow

Q: How are the main 20 parts of the body categorised (e.g. The abdomen)?
A: The body is consisted into 3 parts – the brainium, the borax and the abdominal cavity. The brainium contains the brain, the borax contains the heart and lungs and the abdominal cavity contains the five bowels: A, E, I, O and U

Q: What is the fibula?
A: A small lie

Q: What does ‘varicose’ mean?
A: Nearby

Q: What is the most common form of birth control?
A: Most people prevent contraception by wearing a condominium

Q: Give the meaning of the term ‘Caesarean section’?
A: The caesarean section is a district in Rome

Q: What is a seizure?
A: A Roman Emperor

Q: What is a terminal illness?
A: When you are sick at the airport

Q: Give an example of a fungus. What is a characteristic feature?
A: Mushrooms. They always grow in damp places and they look like umbrellas

Q: Use the word ‘judicious’ in a sentence to show you understand its meaning
A: Hands that judicious can be soft as your face

Q: What does the word ‘benign’ mean?
A: Benign is what you will be after you be eight

Q: What is a turbine?
A: Something an Arab or Shreik wears on his head


Hey, how ya doin’? Why I’m calling everyone I follow on Twitter

9th
Jun
by Sarah Turner

I joined Twitter over a year ago for completely the wrong reasons: I opened a Twitter account because everyone else had one and it seemed like a laugh.

Although I didn’t give too much thought as to why I was using Twitter and what I wanted to get out of it, I did think about what I was going to tweet.

I decided that all public tweets had to be related to what I’m involved in: Advertising, Marketing, Social Media, Design, Copywriting, SEO, Word Stuff, Grammar and Punctuation. Any post or article I found online that was interesting, useful or amusing I would share. Any tweet that was interesting, useful or amusing I would retweet. And I would always be friendly, sometimes funny, and occasionally insightful.

Oh yeah. And I wouldn’t tweet about what I ate for breakfast (who cares), what I was working on (who cares), or whether or not I was tired (who cares).

I started off by following just a few people. Mainly the big names whose blogs I read anyway. But pretty quickly I got a few followers. And I followed some of them back. And it sort of grew and grew. In the last year my Twitter friends have kept me up-to-date, informed, entertained and amused. Twitter has got me new clients, an interview for a book and various guest posts. It has enabled me to email some of the top industry bods with a question because, hey, we already have a relationship via Twitter. (And every single one of them has come back to me.)

And I’ve really enjoyed the amazing support, advice and luuuurve of my fellow copywriters. (Which if you’re a freelancer working on your ownsome is invaluable.)

But as time went on and ‘the people I know on Twitter’ became ‘friends I have on Twitter’ I felt the need to know more about the people behind the avatar.

So a few weeks ago I announced my quest: to call everyone I follow on Twitter and have a chat.

I’m starting off with all the UK copywriters and writers because I figure they’re going to be pretty cool. Then the overseas copywriters (via Skype, I guess.) Then the SEOers. Then the designers.

Luckily I don’t follow Paris Hilton or Ashton Kutcher. But I do follow No. 10, Arsenal Football Club and The Guardian, who I’m thinking may be fairly tricky to get hold of. And some of those A-list bloggers are going to be hard to pin down, if for no other reason than they’re always flitting all over the world attending conferences.

But so far so good. All the copywriters I’ve spoken to in the last few weeks have been fabulous, and happy to share a top tip or some words of wisdom. I’ll gather these together for a future blog post.

How long will it take? No idea. I only follow about 250 people, so under a year if I call one person a day (which I probably won’t). But I think it will be kind of fun.

So if your ‘phone rings in the next 5 minutes  – it could well be me.


Why are most straplines just crap lines?

3rd
Jun
by Sarah Turner

Editor’s note: This is a guest post by fellow copywriter Jamie Hudson.

OK, so I’m generalising and being just a tad subjective. And I only used the word ‘crap’ because it made a nice headline. So let me be more specific. A great many straplines you see these days are irrelevant, forgettable and most unforgiveable, boring.

It wouldn’t be so bad if these straplines belonged to small, local companies and had been dreamed up by the business owner, whose full-time job is making widgets, not writing powerful, effective, memorable straplines.

Or if they’d been thought up by the account exec or an inexperienced junior copywriter in the ad agency. They’re only working on a small account so it doesn’t warrant the creative heavyweights spending any time on it.

No, these straplines belong to some of the biggest household names in Britain. Companies you know and love. Companies with strong brands which you’d have thought they’d be working hard to protect, cherish and nurture.

What all of these straplines have in common is the feeling they give me. A horrible, mushy nothingness. An emotional emptiness. No connection with the business. And a sense that if the company doesn’t even know what it stands for, how can I?

Step forward just a few of the companies on my Strapline Roll Call of Dishonour.

This one’s a real corker. Sky TV is in millions of homes across the country. They bring, ‘the most up-to-date editorial, pictures and video-breaking news, sport, showbiz, movies, TV, travel and more.’

Just think of the panoply of words that are at the copywriter’s disposal, the images and emotions that can be stirred up in the reader’s mind, the bond that people have with the box in the corner and nowadays, their computers. Write something that taps into this feeling and you’ve reinforced Sky’s position in the market and helped create an even stronger brand.

So what do we get?

Sky
Believe in better

What’s this? A strapline for the C of E? A promise of nirvana in the afterlife? And at the very least it’s saying, you can believe in better from Sky, but this doesn’t mean you’re going to get it.

How about this one:

Currys
We can help

Which just goes to show that one of the key requirements of any strapline is relevance. At least try to suggest what kind of company you are and what kind of products or services you sell. This strapline could literally be applied to any company, but would actually work really well for the Samaritans.

Here’s another one which was only launched in April 2010:

Renault
Drive the change

OK, so it does have ‘drive’ in it. And they may be launching new models which have changed from the old ones. But the use of the word change doesn’t work in this context. The old Asda strapline, ‘You’ll love the change’ worked because Asda had changed and it tied this into a value proposition. The Renault line does none of this and is just woolly and unfocused.

What’s more, there’s no suggestion of the French heritage of the cars. Remember, Renault’s most successful TV campaign, ‘Nicole and Papa’ was so charmingly Gallic you could almost smell the Gauloises. And tying into your national heritage and country of origin has worked so well for Audi – ‘Vorsprung durch technik’ – that now VW do it too – ‘Das auto’ – 25 years after Audi first had the idea.

All in all, a great strapline. For an HRT product.

Here are a couple of straplines which completely baffle me:

Toby Carvery
Just as it should be

So Toby Carvery is just as it should be. I’m getting that feeling again. What should it be that Toby Carvery is just as? (You see what I mean?) I haven’t been to a Toby for about 30 years, but if you gave me a good reason to go again, I’d go. This isn’t it. I don’t know what Toby should be as and now you’re making me think about it.

I just want something that suggests a good choice of well-cooked food, nice wines, a relaxing atmosphere, good times, great company. All at a good price. A place that’s special, but not posh or expensive – a kind of upmarket Harvester.

And what about:

Simplyhealth.co.uk
We can be bothered

Well, I’m glad to hear it. I think they want to be in the territory of the famous Avis strapline, ‘We try harder’ which is a good strategy. But please, don’t use the word, ‘bothered’. Straight away you’re thinking about Catherine Tate’s irritating teenager.

Here are two more which actually aren’t bad:

Asda
Saving you money every day

Nice and simple, and it talks about saving money which is what Asda is all about. But even this can be improved. I’m guessing that the ‘you’ in the line is a collective you referring to everyone in Britain. In that sense, Asda does save us Britons money every day.

But I’m an individual and every single person who reads this line does so individually. And guess what – I don’t go to Asda every day. I might go once or twice a month if I can’t avoid it. It would be much better to say, ‘Asda. Saving you money every shop.’ There’s alliteration, it scans nicely and people now refer to doing the weekly ‘shop’.

Enterprise rent-a-car
We’ll pick you up

Great. The USP as a strapline, and why not. And even if it isn’t a USP and every car rental company does it, nobody else is saying it. Therefore, it becomes a brand property of Enterprise.

Why so bad?

There are a variety of reasons. From the client’s point of view, nobody in the marketing team wants to green light a strapline which might backfire and harm their career prospects.

A strapline which actually says something about the company and its brand values might attract unwanted attention, open up the company to criticism or be controversial. It might even heaven forbid, stand out and be noticed. In short, nobody wants to be the person who takes that risk.

(It reminds me of the phrase from the 80s, ‘Nobody ever got fired for buying IBM.’ It was true. But where are IBM now?)

This mindset was echoed in a recent presentation by Rory Sutherland, President of the IPA. He said, “Creative people have a fear of the obvious, and yet they have to present their work to people who have a love of the obvious.”

In short, clients want obvious straplines because that’s what they feel happy, safe and secure with. They certainly don’t want to run the risk of standing out.

On the advertising agency side, similar thinking applies. The agency doesn’t want to lose the account and if the client is saying they want a safe, corporate strapline then that’s what they’re jolly well going to get.

Of course, many large, established companies have a set of brand values, standing and reputation to uphold and can’t be seen to be supported by a tagline that’s too radical, creative or just plain different. I understand that. But the skill of the copywriter comes in developing something new and fresh while keeping within these constraints.

And so we are left with these safe, sterile, meaningless jumbles of words. But remember, as the old advertising saying goes, ‘Safe isn’t safe.’

Visit Jamie Hudson’s blog for more on straplines and how to write a great one.

Jaimie Hudson, CopywriterWith over 30 years in the business, Jamie is one of the most experienced – and fastest – freelance copywriters in the Midlands.

He’s worked on numerous above- and below-the-line campaigns at various agencies including Saatchi & Saatchi, GGT Direct, WWAV Rapp Collins, Publicis Dialog, FCB Direct, O&M Direct, EURO RSCG Riley and BIG Communications.

This post was first published on Jamie’s blog. Check it out. And visit his website. You can also follow him on Twitter @jamiehudson


SEO FAQs (Infographic)

1st
Jun
by Sarah Turner

I was chatting to the guys over at digital agency Datadial last week when I casually mentioned the (rather fab) flowchart I’d recently created to show the relationship between Search Engine Marketing, Online PR and Social Media Marketing.

‘We did an infographic similar to that last month’ they told me.

Here it is. Take a look. It’s brilliant and way cooler than mine. I might have to give up ‘designing’ for good. Just click on it to enlarge it.

Datadial SEO Infographic

Copyright Datadial


The relationship between SEM, Online PR and SMM

24th
May
by Sarah Turner

So last week I was trying to explain to a friend the difference between Search Engine Marketing and Social Media Marketing using a napkin and a lip pencil. This is sort of what I drew. (Click to enlarge.)

The relationship between SEM, Online PR and SMM

Do you agree? Is there anything else that needs including? Let us know in the comments.


 

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